DO BE DO BE DOOO

A sound studio has an average of thirty microphones. Some even possess more than an hundred. For some, it's simply an obsession. First designed for simple amplification, they became valuable objects. Each microphone, even those made in series, have their own soul. A wonderful soul made with  steel, carbon, ribbon and capacitors. But how does one transpose his personality through a console? Unless the solution lies in the return of Emile Berliner's theories.